A catwalk around the perimeter lets visitors view the metropolis from any angle it is the closest thing you can get to flying like Superman over the city. But arguably the best - and making this a must-see - is the incredible, showroom-sized architectural-model detailed rendering of the entire City of New York. The flow of the museum then induced us to check out the rest, and the permanent Tiffany glass and World's Fair exhibits, alone, are worth the trip. On our visit they were featuring the Ramones exhibit (sadly now over), one of the best I've seen, very engaging and well-thought-out layout, interactivity, labels/context, viewability. The Queens Museum fits the bill perfectly. If you are only going to come by once, or infrequently, a perfect museum size is one that entertains/enlightens for a few hours but is not so large that you spend all day walking or are overwhelmed. So a "regional" or borough-size museum can still be pretty cool even if it isn't downtown. We all did have a lot in common because we were all really part of the same strain.Thing to remember about the boroughs of NY is that each is big enough to be its own big city were it anywhere else in the country. And it’s so weird to think how quickly, you know, things had gone from Buddy Holly to Dylan to the Rolling Stones. You know it's funny because it seemed like there was a rivalry between classic rock and the punk bands, and there was, but if you think about it, we're talking a six-year difference between the Doors and X. The first record was nine songs that were done really quickly, really cheaply. It was wonderful knowing him, working with him. X's first four albums were produced by the Doors' Ray Manzarek. Most popular: It's Still 2016 for Bernie Sanders and Donald Trump, Who Can't Stop Fighting '20s music, Django Reinhardt, big band music, jazz, blues, country obviously and especially with me, bluegrass, and it went all the way up to what was happening right at that moment. But our musical range between the four of us really encompasses all recorded music, you know, ever. When people like Carl Perkins would come to town, we’d all go. We'd listen to Hank Williams and Chuck Berry and Carl Perkins. It's pretty cool.ĭuring the early days of X, was the band influenced by any particular performers?īilly really loved the Ramones. So part of the exhibit is from my personal collection of buttons. But one thing I did keep that I’m really happy about is I kept all the handmade band buttons from the time, from all the local bands and ones that came through, like the Plugz, the Controllers, the Weirdos, the Gogos. Over the years you lose a lot of the stuff. put in, and Billy doesn't know what I put in, because it's all our own personal stuff. But I don't know what Billy put in exactly and what D.J. Well, it's funny because all four of us have contributed to the exhibit. What can we expect to see at “X: 40 Years of Punk in Los Angeles”? Uh-oh.Įxene Cervenka with her X bandmates in 1980-from left, Billy Zoom, D.J. No, you can’t.” And John said, “Well, why don’t you sing it?” And I said, “OK,” and then immediately thought: Wait a minute, I don’t sing. My writing was the only thing of value in my whole world. I realized, if it was that good, I’d better hang on to it because it was all I had. What happened was, I wrote this little piece, and John said he wanted to take it to Billy and see if they could work up a song. “I’ve been hearing two responses from people about X,” she says. The fiercely gifted Cervenka spoke to Newsweek about the early years (the band formed in 1977) and a still-growing legacy (it is finishing up a 40th anniversary tour). (The opening, on October 13, will include a performance by the band.) Yet X still gets marginalized as merely “L.A.’s seminal punk band.” X was, in fact, among the greatest bands anywhere, as evidenced by the group’s first two studio albums, Los Angeles and Wild Gift, and an upcoming exhibition, “ X: 40 Years of Punk in Los Angeles,” at L.A.’s Grammy Museum. X’s country-inflected punk was the equivalent of an aural speedball-somehow manic and nuanced-with Cervenka and Doe trading hyper-literate lyrics like deranged noir lovers. If X had formed in New York City rather than Los Angeles, would it have been as big as the Ramones? The band (co-songwriters Exene Cervenka and John Doe, guitarist Billy Zoom and drummer D.J.
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